It’s a “duology”, which means it’ll be a two book series, and while I can’t talk about it too much right now, I promise it will be packed full of action and history. Hopefully it will also be something a little different from the steampunk books you’ve seen before, while still featuring plenty of brass, wood, and high-temperature water vapor.

I’ve been wanting to be a writer since I was twelve years old, so to say it’s a dream come true is an understatement. And I promise there will be more details forthcoming as we get closer to the publication date.

So writing something big and narrative has become existential at its very core. I’m crafting sentences, and then going back over them to make them better, stronger, tighter, all in the service of a mystery.  Yet I’m still whipping it all up from nothingness, first into a bubbly froth, and then going beyond that to make it something with depth and weight.  A real fantasy. A piece of heavy light entertainment.

There’s also a lot of choice involved. There are other, smaller, faster things I could be doing with my time. Things with less risk that pay off bigger.  And because I’m in the writing mode I’m constantly coming into ideas that would be good stories to tell right now.  Concepts that are just begging to be realized. But I can’t, because that time, the creative time, is already used up.  It’s committed, or I am, or I will be.

And now that the first draft is completed, it’s demanding as well. “You’re not going to let me just sit here, are you?” says the book, “not after all that time you’ve already spent.” It’s a god-damn siren song, and the best illusions work by convincing some part of you that they just might be real after all.