Saving the Bookstore

Board games shouldn’t be succeeding… Dice and wood? Face to face play with live humans? In a world of X-Boxes and handheld gaming systems, paper games should be dead and buried—the first casualty of the digital shift. But when I walk into any half-decent gaming store on a Saturday I don’t just see the gamers inside browsing the games, they’re actually playing. And somewhere near the front of the storeI can always find a sign listing the events that are happening there every night of the week. 

So when I hear that bookstores are doomed because books are going digital I sigh. Not because I disagree, but because it didn’t have to be this way.

While I like to read ebooks, no one can accuse me of not understanding the love of paper and ink. When other fourteen-year-olds were still trying to figure out whether their first grown-up job was going to be flipping burgers or or filing papers, I knew there was only one place I wanted to work: in a bookstore. After all, if I was going to become a best-selling science-fiction author, then I needed to be around best-selling volumes.

And when I talked my way into my first job at the (long gone) B. Dalton bookstore in the Garden State Plaza in Paramus New Jersey it was even more exciting that I could imagine. Not only was I surrounded by books, but I got to play with them as well: there were cardboard stand-ups that needed to be constructed, face-outs (where I got to pick which books were showing off their covers instead of their spines), and even the forbidden fruit of the strips; old paperbacks that were “returned” by having their covers torn off, leaving their exposed inner pages to be taken home and consumed by a young reader eager to devour every volume he could get his hands on.

But those old strips didn’t end up staying on my shelf for very long, because a book without a cover just felt broken and wrong—like a balloon without its skin; just a lot of some hot air. And over the years I’ve bought many of those titles over and over again, just so I can show them off on a shelf.

There’s no doubt that things have changed a lot since the 80s: first Amazon cut out the soul of the bookstore by destroying the retail stores on price, and then ebooks came along and stomped on their (barely) beating hearts But as shocking as it’s been to see the retail store being eaten away by its digital counterparts (both from within and without), it’s been even more disheartening to watch them give up. The modern bookstore seems to be doing everything they can to avoid becoming of becoming the champions of the books that they’re filled with.

I saw it in Borders, and the disease is spreading: the worst thing about modern bookstores is how defensive they seem about what they’re selling. Instead of celebrating their legacy and working hard to find new readers, the modern bookstore is like an aging actor who’s still thinks they can play a 20 year old. They’re either stuffing themselves  full of modern gadgets (and looking pathetic in the bargain), or trying so hard to please with movie tie-ins and series titles packed in so tightly that you have no way to discover anything personal and new.

For bookstores to survive they’re going need to become places where people come together to celebrate the physicality of books and rediscover the power of reading.

After half a century of gorging on cheap, flimsy softcovers, glossy magazines full of short, ephemeral stories, and gadgets and gee-gaws that have no place anywhere near a volume of prose, it seems like the entire concept of the bookstore is on life-support. If they are going to survive, then they need to stop feeling like a place where print is going to die, and reinvent themselves as a place to celebrate of the wonders of print.

A well crafted book is an object of desire, weight, and worth, both within and without. Books take up space in your life, and the reason that people want to walk through a bookstore door is so that they can hold these objects in their hands, and then share them with others just by proudly holding up the cover while they’re reading, or pulling them down off the shelf to reveal the mysteries within.

Bookstores have always been at their best when they’ve been more than just places to browse, so why aren’t they a place to hang out, to read, and to discuss the joy of being a read? And why not shout a little while you’re at it? They’re not libraries, and they shouldn’t be. How about book clubs, and seminars with local authors? How about debates, and readings for the kids? Even some simple arts and crafts might get people in the door.

If hushed tones and awkward glances over a rack of overpriced DVDs could give way to genuine human interaction and lively debate, and I’m betting they’ll sell a lot more copies in the bargain.

Sadly though, I’m starting to think that it may already be too late to save the bookstore. After all, the ebook train is barreling down the track, and the chains have long given up doing anything but trying to outrun the locomotive fast as they can. It’s even more depressing when you realize that all they need to do to escape is simply jump off the tracks.

But as someone who only recently got his name up on those bookshelves and made his teenage dreams come true, I sure hope that they can figure it out in time. If bookstores can lose their shame and guilt and start building an audience maybe they’ll finally be willing to admit that sometimes it’s okay to judge a book by its cover. That’s something that readers have already know for a very long time.

Book Two Cover & SteamCon III

Come say hi up at SteamCon III next weekend in Bellevue, WA!

Andrew Mayer will be giving a sneak peak into Book 2: Hearts of Smoke and Steam (coming out Nov 22nd!) Friday night, reading excerpts from the first 2 books in the Society of Steam Trilogy.

And, be on the lookout for some limited edition character stickers (and maybe some T-shirts too). (more…)

The Anubis T-Shirt (and me) Dragon*Con

I’ll be at DragonCon this coming weekend.
If you’d like to get something signed I’ll be manning the PYR booth (907) most of the weekend.

I’ll be officially signing at the following times:
Friday, September 2: 2:00 – 3:00 pm
Saturday, September 3: 1:30 – 2:30 pm
I plan to be there for most of the show, so come by and meet me!

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Rob Will Reviews The Falling Machine

“Mayer brings his New York City and his characters to vivid life, striking a beautiful balance between a historically accurate representation of the zeitgeist, mores, and prejudices of the era, a thrilling, steampunk rollercoaster ride of an adventure, and a richly realized character study.”

A City of Metaphors

People say that it’s easy to see the visitors in New York because they’re always the ones who are looking up. Real New Yorkers are far too jaded to look up. They’ve seen it all before.

But while the giant buildings that loom over the pedestrians in the city may have a purpose, they also have a point: big structures make the people who stand underneath of them feel very small.

The Trump Tower, NYC, completed in 1983

The Chrysler Building, Rockerfeller Center, The Empire State building, The Brooklyn Bridge: The giant structures in New York aren’t just places to work or live, they’re also edifices to the point of view of the people who created them. And what may seem big and gaudy today, can seem quaint once they have put on the patina of decades.

The Empire State Building, NYC, completed in 1931

The Twin Towers were like that. While they will now forever be remembered in American history, when they were first erected in the city skyline, they weren’t very popular. I’m old enough to remember people commenting thought they were pretty ugly, or at least boring and pretentious. But after a man walked between them, they gained a little more appreciation as something unique, and very New York. And as the 80s slid into the 90s, they became a double punctuation point on the skyline. Almost empty when they were opened, but it only took a few decades for them to become a prestigious address.

But it wasn’t until you went to the area around the financial district that existed below the towers, that you realized the World Trade Center had reset the scale for that entire section of Manhattan. The buildings that had been built at their feet were designed in a way that made sure that anyone standing beneath them (even jaded New Yorkers) could feel their power. Once upon a time financial buildings were mighty vaults, protecting the wealth within. But in the modern era, our wealth is virtual and fluid. We understand the idea of wealth, even though we can no longer hold it in our hands.

Gladiator, 2000

The massive structures that existed in the pre 9/11 financial district were as close as we’ve come to creating a virtual vista in the real world, except without the exceptionally well-timed flock of birds.

The scale was unreal, except that it was.

New York is a science fictional city, because like science fiction it is built from the dreams of our technology. Where other places may take decades or even centuries to implement new ideas, New York constantly hungers for new solutions, and often wipes away the past with little pity for what had come before.

In a place where everything for miles around has existed in someone’s imagination before they’ve laid the first foundation stone, it’s important for a storyteller to understand that while there are many accidental discoveries in the city, everything in it was created with intention.

On the SFFWRTCHT

Andrew Mayer guest tweets on the SFFWRTCHT column.

Bryan Thomas Schmidt revisits his chat with Andrew about  steampunk, games, comics & more.

Check it out here.

Reading from The Falling Machine

I will be reading an excerpt from the Falling machine at the PDX Gearcon this morning at 10AM.
It’s all a bit last minute, but I’d love to see some of you lovely folks there.

On the SF Signal

I’m the guest on this week the SF Signal podcast.

Patrick Hester and I discuss a wide range of topics in and around steampunk, and there’s some in-depth discussion on how I put the book together, and why.

You can find it here.

I Cannot Transform

I am inflicted with disease that makes me unable to “turn off my brain” and watch a big dumb action movies.This is why I normally use Rifftrax to watch movies like the Transformers films.

This review almost makes me curious to see the genre taken to its ultimate form, but at almost three hours long, I’ll probably skip it.

The Invisible Center of Steampunk

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

- The Second Coming by William Butler Yeats

Strange Attractor: In Physics—An attractor for which the approach to the final set of physical properties is chaotic.

If you’ve never heard of a strange attractor before, it’s a mathematical concept that describes a relatively stable set of equations that doesn’t actually have a center but a tendency towards a “space” of results. Applying that to the real wold, and what you get is an object in motion around the “idea” of a center.  There tends to be a lot of them in weather related phenomena, with the eye in the hurricane being a good example of one you can see. (You can excoriate me for my layman’s mis-interpretation in the comments.

A strange attractor is the reason why the center of a widening gyre can hold, even if there’s nothing there but a hole.

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