Archive for the 'Books' Category

16
Apr

Dan Abnett rocks socks in the Warhammer 40K Universe

While there are plenty of good books out in the world, one place that you don’t find to expect much love is in licensed tales.  They’re usually disposable bits of fluff designed to scoop up nerds who can’t get enough of their favorite characters and are willing to wade through substandard side stories just to get another whiff of their fictional drug of choice. That’s why discovering Dan Abnett’s books set in the Warhammer 40K universe came as such a shock.

I’ve always had a bit of a soft spot for the cold as ice, hard as steel, and dark as night war-torn universe that sits behind Games Workshop tabletop miniatures game where there “Will be only war”.  I even read some of the original novels they put out back in the day, although even at the time I recognized that they were just a way to get a quick hit out of that universe without having to go to all the trouble of actually role playing the damn thing. I also read enough of the back story in the different manuals and such that I had a working understanding that I could use to at least try and hold my own in a conversation with British nerds if the need ever arose.

imageThat’s why, when another all American geek with a love for the 40K world told me that they were finally novelizing the Horus Heresy, I had to give it a shot. I won’t go into it here, except to say that it’s the kind of ridiculous science fiction pseudo mystical nonsense that never gets made into movies, but often shows up as the wordy prologue to a video game.  It’s also the defining event of that universe, taking place 10,000 years before the game itself.  (Yes, it’s Warhammer 30K.)

The first book in the series, Horus Rising, was written by Dan Abnett, a working writer who’s written everything from mainstream superhero comics to Wallace and Grommet books.  And it was good.  Better than good.  The story fast paced, the characters were gripping, and the prose turned phrases and manipulated words with enough skill that I often found myself rereading a paragraph or two just to figure out how he the author had managed to pirouette some bit of nonsense into a chunk of clever character motivated writing.

I grabbed the second book in the series, but he didn’t write it, and it didn’t have any of that zing, pop, or pizzazz. I’d found a new author, and he was good.

It turns out that Abnett’s magnum opus is the Eisenhorn series, about an “Inquisitor” who must root out the (in his reality) very real corruption that comes from the creatures of Chaos that are attempting to break through and destroy our reality.

The three volumes have been collected into a single, moderately-priced omnibus that I cant recommend highly enough.  It isn’t Shakespeare, but if you’re looking for rollicking big ideas science fiction that transports you into another world, and doesn’t hold back on the character or scale (he’s throwing world’s around by the end of the thing), then you won’t be sorry you gave it a try.

I’ve also started reading his Gaunt’s Ghosts series, an epic about a group of soldiers who fight to protect the universe from an evil that has destroyed their home world.  It’s got battle scenes that will have you reading well past your bedtime, if you’re into that sort of thing.

He’s got other titles as well, that I have yet to dip into, but I’m sure I’ll read them all. What are guilty pleasures for, if you can’t indulge them?

Do you know of what I speak? Do I see clearly, or have I been infected with the taint of the Warp? Let’s hear it in the comments…

19
Mar

David Brin eulogizes Arthur C. Clarke

Noted science fiction author David Brin wrote a eulogy for the Legendary Arthur C. Clarke in his diary on the political site Daily Kos.

image But there was another Arthur C. Clarke.  The one who sent David Bowman careening through the monolith, helplessly bound for transformation and deification.  The author who gave us CHILDHOOD’S END.  One who frets that we may not be wise enough to survive the next few generations of tense immaturity, let alone worthy of joining more advanced communities of mind.  

And so, we have a recurring theme of intervention — quasi-divine — receiving outside help to achieve our potential.  (And wasn’t Clarke’s law that a sufficiently advanced technology will be indistinguishable from magic?)

In this mix of both fizzing optimism and dour worry, Arthur always struck me as similar to two other giants, both Isaac Asimov and Ray Bradbury, who also surveyed very wide horizons, from alluring to disquieting.  

What none of them ever did — and especially not Arthur — was give in to despair.  The notion of change never lost its fascination.  His works appeared always to say “what was will not always be, so get ready.”  Yes, the past deserves honor — it got us here — but the future is what draws us forward. 

Clarke was 90 when he passed on.  A true founding father and legend of the genre.

29
Nov

The Science Fiction Writers of America are afraid of the future.

It’s odd how the smaller “niche” areas of content, especially print, are managing to be more reactionary and more insane than the big businesses. I can see how they feel more threatened, and unlike the major companies they tend to be earnest in their anger rather than posturing to try and pad a bottom line.  It’s even stranger when it’s people who are supposed to be forward thinkers by definition, like the SFWA.

Warren does a good job of explaining the story so far:

The Science Fiction Writers Of America have occasionally been a source of amusement to me, as they essentially comport themselves as enemies of art and the future. After their last major balls-up ? involving the misuse by one Dr Andrew Burt of DMCA to cause a website to remove works SWFA actually had no jurisdiction over ? they disbanded the ?epiracy? committee Dr Burt ran and put together an exploratory committee to make an informed, expert recommendation on the SWFA?s official policy on copyright and file-sharing. Charlie Stross let himself get talked into joining that committee and working on the formal report.

Charles Stross takes the story home:

The core of our report, in a nutshell, was this: SFWA should represent its members interests when asked to do so. In order to deal with members asking SFWA to act against copyright infringements, SFWA should establish a new copyright advisory committee to replace of the piracy committee, with set procedures (and a quorum of members required to implement them) to avoid anything like the earlier debacle recurring.

A further recommendation was discussed, but the general feeling was that it would be inappropriate to put it in the committee’s formal report. It was my understanding that it would be brought to the attention of the president of SFWA via a back channel. This recommendation was simple: that at all costs, Andrew Burt must be kept the hell away from the copyright committee.

Guess what’s happened?

Yup. I am not privy to his thinking, but our dear president and executive have voted to reinstate the old piracy committee, with Andrew Burt to chair it, under the new name of the SFWA copyright committee.

Clearly the current executive of SFWA is making damaging decisions and ignoring input from committees it appointed, and and in view of this I call on SFWA president Mike Capobianco and the rest of the SFWA executive ? including Andrew Burt ? to resign immediately. Meanwhile, I’d like to call on all other SFWA members who don’t want to see their organization commit public relations suicide to make their voices heard.

Science fiction writers should know better than anybody that the future is coming and they aren’t going to stop it, but it must be hard to see the business that you’ve come to rely on falling apart as your audience ages with.  Especially when you’ve been hoping that it might hold together long enough for you to keep going until you retire.

20
Nov

Segway to the Kindle

Back before the world knew the Segway was going to turn out to be just a fancy Scooter it was a secret project that was going to change imageour lives.  Riding in on the trailing waves of hype as we were reaching the bitter end of dot com mania, it was going to be the object of desire that changed everything back.  A new new thing that was going to get us excite us all over again about technology just when we were giving up.

One of the reasons that we believed that was that Jeff Bezos, the head of Amazon, had told us that it would.  Both he and Steve Jobs, the guru of cyber-cool, had claimed this was going to be a revolutionary invention, one that could potentially change our lives.

Released in December of 2001, the Segway came hot on the heels of the iPod, which had been released only two months before.  And while the little white box came with a bunch of hype, as all new Apple products do, the Ginger (or simply “IT”) as it had been known, was about hope. It couldn’t possibly live up to our expectations, and it didn’t.

The little Scooter that couldn’t was ridiculed, and quickly banned from city sidewalks.  It became an example of the kind of overheated thinking, and “fast forward” vision that had sent the Internet spiraling from boom to bust.  Meanwhile the iPod slowly built on its initial success, and proved that the right product at the right time could still make a difference.

image Fast forward to six years later.  Apple has once again released a revolutionary product into the marketplace.  Love it or hate it, the iPhone has proven that Jobs hasn’t lost his magic touch when it comes to finding a device that can change the way we think about the things we do every day.  Since it’s launch in August that little phone has turned the telecommunications world on its ear, and forced everyone to react.

And once again another product comes out hot on the heels of Apple’s ten ton gorilla.  Another product that will supposedly change everything. But unlike Apple’s well crafted little bit of magic, this product doesn’t seem to have the same kind of zing.  So with much fanfare, and more than a little head scratching, we meet the Kindle.  Amazon’s first foray into hardware.  A device that is supposed to be the biggest step forward in reading since the book…

But unfortunately it’s more smoke and mirrors than magic.  There’s no doubt that the idea of e-paper is great.  It’s screen remains visible and stable when it’s turned off, so that you can simply put up your image, and have it look as clear and relaxed as ink on a page. And who doesn’t want magic paper in their pocket?  Books do seem a little bit old fashioned when compared to the laptop or the cell phone.

But while the mp3 player and the phone are both recent devices that let us do new things in a new way, the book has been around in one form or another for almost 1500 years.  It’s a form factor that has seen many other innovations come and go. That’s not to say that its days aren’t numbered.  Clearly the modern displays will, sooner or later, provide us with a device that is going to replace what we now think of as a book with a clear readable screen.  So why shouldn’t the Kindle be that device?

Firstly because it isn’t a digital book, it’s a “wireless reading device”.  While it may sound like a form of birth control, in actuality it means that in order for it the device must connect to the Internet.  Much like the iPod needs to dock with your computer to be useful, the Kindle needs to connect to the Amazon mothership before you can get the books you want on it. But unlike the iPod revolution, you the Kindle has barred the gates.  You can put mp3s on it, but you won’t be getting your pirated best-sellers on it quite as easily. And if you buy your books form Amazon, you can’t share them with your friends. At least not in the way you’re used to.  Everything from pdf files to word files must be translated by being emailed to the device before they can be read.

We’ve all been around the block with DRM enough times to innately understand that if we can’t move data off of something and onto our own storage then we don’t really own it all.  And while that may be okay with music, movies, or other media that can be experienced socially, books are more personal.  We read them alone, and when the volumes sit on our shelves that’s the way that we tell other people about what we have read, are reading, or might be willing to share.image

Looking at the specs and the business model it’s clear that the Kindle intends to seal its readers into a social cocoon, and won’t let us out to play. So, unfortunately, the Kindle isn’t a Web 2.0 device. 

And that feeling of an almost Soviet style mentality is repeated on the outside as well.  It’s a strange looking box, and one that clearly shows just how muddled the thinking about it really is. From an industrial design point of view the nicest thing you can say about it is that it looks like something that people in the past might think the future would look like.  It’s sharp angles and big buttons seem unfriendly and uninviting, and honestly a little confusing. 

And all that might that might still work if the cost of entry were low, but it isn’t.  At $400 you’re not only looking at a lot of old-fashioned books, you’re also spending the kind of cash that could pay for a lot of cool devices from laptops to iPhones.  They may not sip power the way the Kindle does, but definitely don’t treat you like a bank coming and going.  You want to use that Kindle to read something? You can get best-sellers for $10 each, newspapers for $15 a month, and blogs that are free on the net will only cost you $1 a month to read on your brand new book reader, if they’re willing to sign up with Amazon.

And that’s the last part that really confuses me. What does branding this device “Amazon” really bring to the party?  I’m a fan of the store, and I’ve even been won over their Prime service. But what makes them a trusted provider in the hardware business, and why are they getting into this buiness?  There’s hundreds of existing brands that they could have worked with.  Partnering with a trusted business would have sent a message that there’s a steady hand behind the wheel.  It might have looked better as well. 

Often times when something lands with so much fanfare it can be hard to trust your instincts.  It’s replacing an object rather than expanding our experience, and that’s a sure sign of danger.  And can it really be as ugly as it looks, as crippled as it sounds?  In this case I think that the Kindle is all that and more.

One day soon there will be a cheap, powerful, open e-book. A device that expands the idea of reading, computing, and the Internet.  But today was not that day.

19
Nov

Kindle Launch

With as much fanfare as they can muster Amazon has launched their $400  e-paper digital book reader called the Kindle.image

You can read the loving Newsweek cover story and get up to speed.

Then let’s meet back here tonight and I’ll tell you why I think there’s a good chance it’s dead on arrival.

Meanwhile, feel free to leave your thoughts on the “death of the book” in the comments.