Remaking computer effects with stop motion and props.
It’s also a fine example of the internet art-form known as sweding.
Remaking computer effects with stop motion and props.
It’s also a fine example of the internet art-form known as sweding.
Comic books are a strange beast from a writers point of view, given that they are primarily a visual playground. “Well written comics” is a bit of an oxymoron, because the right images can overcome the writing. Jack Kirby is sort of like that… his ideas were so big they overcame the stiffness of the prose.
So someone has finally gone and created an online comic book that is truly the fusion of the web and the “stop and go” frames that have defined the medium.
It’s kind of hard to explain so check it out.
It just may blow your mind.
There may be other stuff like this on the web, but if not, I think someone just reinvented something…
There’s something incredibly powerful about Twitter. While the basic functionality is basically just basic IM software married to an old-fashioned party line (check out some sixties sitcoms if you don’t know what that is), the real innovation is the way in which you relate to the other people that you’re connected with.
While it appeals to the collector instinct that other sites like MySpace and FaceBook have seemed to have capitalized on, it’s not all that useful to be following hundreds of different people. The signal to noise ratio is pretty low to begin with, and everyone you add is basically fracturing the conversation a little bit more. What’s nicer is when someone new follows you. It feels like your megaphone is growing a little bigger with every person who connects to your feed. I’m sure that’s a metaphor for something…
It’s an egalitarian process as well. There are no barriers to communicating with strangers, and they’re perfectly welcome to respond to you without having to go through an official process to make the connection.
And its core message is all about the power of premise. The whole thing is built around a single fundamental question:
What are you doing?
After Sony decided to throw in the towel last week and put their music up on Amazon without DRM it seems like a lot of people have decided it might be a good idea to start thinking about what a world looks like where you sell things to people that aren’t placed under lock and key.
I’ve seen a few articles over the last week that are beginning to discuss the issue, but the single best thing I’ve read is this transcription of a speech that was given at a conference that’s given every year in Aspen by the CAA by Ian Rogers, the head of Yahoo! Music.
It’s insightful, forward thinking, and has more than a few good ideas. More than that, it’s designed to speak to a different audience than the converted army of open source junkies who usually read this stuff. It’s a cogent argument about why changing the model is going to be a good model for business going forward.
While the music industry may currently see itself as the greatest victim of the Internet it’s starting to be clear that their role as the canary in the coal mine may mean that they come out of this stronger and better suited for the next generation than other industries that are just starting to feel the sting.
And that success is already happening, although they don’t want to admit it. Look at how licensed music has invaded the video game market over the few years. Licensing popular songs is an integral part of movies, television, and even commercials more now than ever before. It may not be the same business it was, but it is something.
What’s most exciting about this presentation is that it argues that the industry should be in the lead for opening up standards, not dragging behind. And now that the panic is starting to subside maybe there’s some room for good ideas on how to push formats forward in a way that will allow media to become a more integrated part of the web experience.
Think back two years ago, the Web worked fine on your PC, your Mac, even your cell phone to some degree, but as soon as you wanted to watch a video you were faced with the “which proprietary technology owns your ass?” question. Quicktime? Real? Windows Media Player? What happened was “The Web” stopped and proprietary technologies took over. Flash has made this feel a little less painful but now the entire online video industry is in the hands of one technology company (Adobe), being delivered the features they see fit on their timeline? That’s never a good thing. And who is challenging their monopoly with a technology called Silverlight? Microsoft? Doh. This is not exactly a recipe for openness.
We need the same force that created The Web to create The Media Web. What was that force? Open standards solving universal user needs and enabling a level publishing platform. While this may seem outside of your job description, let me first give you a sense of the kind of standards I’m talking about, and then a specific example that will likely hit pretty close to home.
It’s well worth reading the whole thing, and it’s forcing me to go back and rethink some of the ideas I was planning on putting up here in the next few weeks. They’ll still get up here, they just may be a little different.
I’ve been saying for at least the last nine years that the content has become the marketing for the packaging. I guess the people in the position to make those decisions are finally starting to agree with me.
Hey gang! This is a very cool, very historic first for MySpace Comic Books, and a great way to celebrate the new year!
In partnership with our excellent friends at BOOM! Studios, we are releasing a comic book series online at the same time as it is released in comic book stores. You read that right: you can download the complete issues of NORTH WIND for FREE on the same day they hit the stands!
Today, we are proud to release NORTH WIND 01. You can read the pages online below, or download the complete issue to your hard drive to read at your leisure with your favorite comic book reader. The choice is yours!
Comics have been giving away the first issue online for a while, but this is the first time I’ve seen an entire series from a major publisher put up on the net.
And it probably isn’t going to sell that much more than an average book. But even that may be a victory of sorts.
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